chris-sanders-art:

How many drawings in a storyboarded sequence? Well, here’s one. Sequence, that is. At the end of “Lilo & Stitch,” we were cataloging and packing up our story drawings. We got to talking about how thick the piles were. Eventually someone suggested we take a picture of the drawings for one sequence. We used the floor of a large open meeting room in the Florida studio, and brought in a scissor lift as a platform for the photographer. Then we spread out the drawings. We were all surprised just how large an area they covered. Bela Temesvary shot the picture. Then he suggested I sit in the middle of them for posterity.
Now, if you’re still reading, bear in mind that this is not just one sequence from the film, but one VERSION of one sequence. Sharp-eyed observers will note that this is the obsolete chase sequence that featured a 747. That version was dropped after September 11. So this entire thing wasn’t used. Nor is this the first version of this sequence — I boarded it at least once before this. So this is probably version 2. I boarded it again from scratch at least one more time after this one was scrapped.
It’s important when talking about a traditionally animated film to clarify that these are not animation drawings, as some people have mistakenly assumed. I’m not an animator; I work in story. So these drawings were for story pitches and the story reel.
Most people board on Cintiq now, but I still do it on paper. It’s nice to have original drawings to sit on at the end.
#chrissanders #liloandstitch #disney #animation #storyboarding #tbt

chris-sanders-art:

How many drawings in a storyboarded sequence? Well, here’s one. Sequence, that is. At the end of “Lilo & Stitch,” we were cataloging and packing up our story drawings. We got to talking about how thick the piles were. Eventually someone suggested we take a picture of the drawings for one sequence. We used the floor of a large open meeting room in the Florida studio, and brought in a scissor lift as a platform for the photographer. Then we spread out the drawings. We were all surprised just how large an area they covered. Bela Temesvary shot the picture. Then he suggested I sit in the middle of them for posterity.

Now, if you’re still reading, bear in mind that this is not just one sequence from the film, but one VERSION of one sequence. Sharp-eyed observers will note that this is the obsolete chase sequence that featured a 747. That version was dropped after September 11. So this entire thing wasn’t used. Nor is this the first version of this sequence — I boarded it at least once before this. So this is probably version 2. I boarded it again from scratch at least one more time after this one was scrapped.

It’s important when talking about a traditionally animated film to clarify that these are not animation drawings, as some people have mistakenly assumed. I’m not an animator; I work in story. So these drawings were for story pitches and the story reel.

Most people board on Cintiq now, but I still do it on paper. It’s nice to have original drawings to sit on at the end.

#chrissanders #liloandstitch #disney #animation #storyboarding #tbt

storybrookehooker:

I just watched The Croods on Netflix and it is the cutest, funnest, most heartfelt animated movie I’ve seen in a long time.

kai-the-rainbowchild:

You can all assume I’m obsessed with these two.

kai-the-rainbowchild:

You can all assume I’m obsessed with these two.

papercutzzart:

Recently got to watch The Croods and I fell in love with it!

papercutzzart:

Recently got to watch The Croods and I fell in love with it!

meriyo97:

Quick little Eep watercolor. It’s been a LONG time since I’ve done anything with watercolors.

meriyo97:

Quick little Eep watercolor. It’s been a LONG time since I’ve done anything with watercolors.

genkikid:

I found a picture of us

genkikid:

I found a picture of us

acmidreamworks:

We’ve been a little absent lately, launching a brand spanking new website! Check out our page for our dreamworksanimation Industry Masterclass, featuring videos from DWA creatives explaining their animation practice.

The Croods Production Designer Christophe Lautrette discusses designing prehistoric worlds and creatures, while Visual FX Supervisor Doug Cooper explains designing Berk in How To Train Your Dragon.

Production Designer Kendal Cronkhite talks about creating the characters for Madagascar and Jason Schleifer, Head of Character Animation, walks the crowd through Mr. Peabody and Sherman.

Head to the page and scroll down for image galleries and the videos!
http://bit.ly/dwaindustry

spicyassassin:

This… Is Guy.

bloodyripart:

Old sad Guy drawing

bloodyripart:

Old sad Guy drawing

rrrato:

Two just like a cat .
DreamWorksの大きい猫ちゃん(笑)

rrrato:

Two just like a cat .

DreamWorksの大きい猫ちゃん(笑)